Character poses - experimental watercolour studies

We have started exploring ways to achieve James watercolour look throughout as we tread the balance between artistic vision and budgeting and scheduling parameters. Combing textured watercolour backgrounds with flat characters have been a challenge explored in drawn animation since the 1930s. While today’s technology offers solutions, no texture brush is going to ever compete with a hand-painted watercolour in James skilled hand. So James has painted a few quick character studies to see if we can find a solution that’s fast enough to be practical. We’ve been testing these in the evolving animatic, and what we are discovering is the detail in these images mean we can vastly reduce the number of poses because watercolour gives its own life. We need to explore this further, but we feel if we can pull it off, it will give a really unique look and feel.

Scrooge and Charwomen.jpg
David Bunting

I’ve been making animations since I was nine years old, filming on a Super 8 camera! Since then, I’ve worked across television, film and independent projects, collaborating with studios and broadcasters including Disney, BBC, Channel 4 and Netflix.

I studied Animation at Senior College Ballyfermot in Dublin before training in Visual Effects at Walt Disney Feature Animation in France. That led to work as a classical drawn effects animator on films including Disney’s The Tigger Movie and the title sequence for Thunderbirds.

A love of storytelling drew me into storyboarding and filmmaking. After training at Aardman Animations, I worked with studios including Aardman and Blink Industries on series such as Shaun the Sheep, Dennis & Gnasher Unleashed and Alley Cats, collaborating with talented teams across the UK animation industry.

Alongside commercial television work, I develop and direct independent films - most recently the award-winning animated documentary No One is an Island(2024) - that allow me to push my artistry and tell more personal stories. Through comedy, drama, or quieter moments of reflection, I’m fascinated by animation’s ability to bring people of all ages together — communicating stories through character, rhythm and visual language.

At heart, I’m still driven by the same thing that started it all: the simple magic of drawings coming to life.

https://www.buntinganimation.com/
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